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RRJ Editorial Blog
By Miranda Newman

 

J-Source named OpenFile's founder and CEO Wilf Dinnick Canadian newsperson of the year last Wednesday, based on his innovation in redefining the way citizens and journalists interact.

Aside from offering "community-powered news," allows citizens to suggest a news story, whereupon the site assigns a reporter to cover said story. During the reporting process, journalists collaborate with OpenFile readers and allow them to participate in gathering information. 

Dinnick attributes his success to the OpenFile team and their belief that the interactive news platform is the way of the future. As audiences start to access news differently and participatory journalism becomes more popular, it's evident that the journalism industry is going through a shift in the way news is consumed, gathered, and released to the public. 

Though some journalists are concerned with this shift, as explained by Alfred Hermida in Participatory Journalism, this isn't the first time the field has seen a major alteration in how news is presented. Since its humble beginnings as broadsides in the 18th century to the transition from radio to television in the late 1940s, journalism has always been at the mercy of technological advances. OpenFile's concept may scare some writers, but above all it's an example of how journalists must face new challenges in the digital age, continually adapting in order to engage their audience.

Or as Dinnick said in an interview with J-Source, "We're kind of doing this thing that ... I'm not sure everyone believes is going to be the future, [but] we do."

Lead image via FlickR user LSE Library

http://www.youtube.com/watch?feature=player_embedded&v=b7AhnhmfIzc
Posted on February 03, 2012
By Trisha Marie Fialho

The day has finally arrived!

Come to the Black Bull Tavern this evening for a drink with our summer 2012 masthead crew. There'll be a lot of exciting raffle prizes, some specialty journalism cupcakes called Buried Leads (chocolate and vanilla cupcakes filled with berries), and a specialty journalism drink called the Toronto Slur (vodka/sour apple/cran) for all journos and journo-lovers attending.

 

BuriedLede 

Tickets can be purchased at the door for $12. Thanks to all of you who've already bought one; don’t forget to bring it with you! Bring a toonie and you’ll get a cupcake, plus you’ll be entered into the raffle!

 

A special thanks to the businesses that have generously donated to our student-run publication. We rely on supporters like you to produce our magazine. After all, if we didn’t exist, who'd watch the watchdogs?

See you at 8 p.m.!

Posted on February 02, 2012
By Martha Beach

"That Was Then, This Is Now" explores the beginnings of some of Canada's favourite writers and journalists

John Macfarlane, seasoned journalist and editor, did not have any experience in news reporting or journalism until his first year of political science at the University of Alberta (now the University of Calgary). Macfarlane got involved with student reporting and started writing for The Gauntlet , the university’s student paper. By the second year of his program, Macfarlane was editor of the paper. 

 

31012012_RRJ_WalrusMacfarlane 
During his third year, Macfarlane ran for Canadian University Press (CUP) president and won the election. At the time, Dic Doyle, then editor of The Globe and Mail, was CUP's honorary president. 

 

Doyle and Macfarlane kept in touch, and the term Macfarlane should have graduated Doyle offered him a summer position at the Globe. (Macfarlane never actually received his degree because “at the time you needed zoology, and I didn’t pass, so I didn’t graduate,” he says. Macfarlane grabbed the opportunity Doyle offered him, launching his career. 

Macfarlane then spent a year in Ottawa acting as CUP president before returning to a full-time position at the Globe.

Macfarlane has held number of prominent positions over the years. His resume includes being publisher of Saturday Night magazine, editor of Weekend and Toronto Life (twice), and executive editor of Maclean’s. He is now the editor and co-publisher of The Walrus magazine.

Lead image via the National Magazine Awards.


 

Posted on February 01, 2012
By Kim Rupnarain

When the Vancouver Canucks lost to the Boston Bruins last June, resulting in mobs of disgruntled Canucks fans rioting in their very own city, all Canadians suffered a terrible embarrassment. 

For B.C. journalists, insult was only added to injury when the Vancouver Police Department demanded that six local media outlets, including The Globe and Mail, The Vancouver Sun, The Province, Global News, CBC, and CTV, release any and all photo and video images of the event. 

01302012_RiotKiss 
Though the outlets fought for four months to dissuade the judge from allowing police to seize the footage, a court order handed down in mid-January said that the media must comply. And comply they did. But not before posting their material online for their own readers. 

 

Curious parties can now see all of the images taken by photographers at both The Province and The Vancouver Sun, allowing readers, according to the Sun, to “see whether their images are included in the massive police file assembled for riot investigation."

Regarding the court order demanding their compliance, the outlets have all expressed dissatisfaction over their compromised journalistic independence. Troy Reeb, vice president of Global News, made a statement saying that “the ability to operate independently is fundamental to the practice of journalism, and Global News will continue to vigorously defend this principle in the future. It is important for both the safety of our journalists, and the integrity of their investigative work, that they not be seen as gathering evidence for police.” 

To view the selection of over 5,000 photos, visit www.pngphoto.com 

Posted on January 31, 2012
By Scaachi Koul

CNN journalist and professional silver fox Anderson Cooper got quite the shock on his daytime talk show, Anderson, late last week.

Cooper's production staff have started a "Mystery Guest" segment on his show where he gets a few hints of whom he'll be meeting, and is then surprised by his next guest.

After the guest revealed three hints about himself, the giddy Cooper realized it was The Fonz himself, Henry Winkler.

Cooper was so excited by Winkler's reveal that he tipped the set's coffee table over right after screaming, "OH MY GOD. HOLY. IS IT FONZIE?"

AndersonCooper 

Anderson is daytime-friendly in every way. His shows vary from interviewing Amy Winehouse's parents to talking about his own troubled family. It's a pretty significant departure from the hard news he covers on his CNN show, AC360.

Between his new show and his co-hosting gigs with Kelly Ripa, Cooper is more like the girlfriend you would invite over for drinks than a newsman. Anderson, where are your thick-rimmed glasses? Your gravitas? Your tie? Haven't you learned anything? Look at Geraldo. Look at Geraldo and then look at your future.

Not that you can't have it all. Just look at my boyfriend, NBC Nightly News anchor Brian Williams. He consistently brings the funny without losing face as NBC's news authority. (I'm also just looking for excuses to look at his face.)

Cooper, however, has entered fanboy territory. Talk show hosts are perpetually lodged up the collective asses of movie stars, singers, and television psychics. I can't tell if he's still a journalist or if he's one of those housewives who stand outside of The Today Show during the fourth hour, holding a sign that says, "POUR ME A GLASS, HODA," and stops breathing when Rachael Ray waves to him.

Does Cooper want to be Wolf Blitzer or Oprah?

But, I mean, in his defence, it was The Fonz. Ayyyy.
Posted on January 30, 2012
By Matthew Braga

At first glance, Beta620 sounds especially nefarious—perhaps, the name of a chemical substance that will turn us all into Republicans, or a Bond movie plot to destroy United Nations HQ. But in truth, it’s the code name for The New York Times’ experimental projects group. That such a group even exists is a sign that the direction and scope of the journalism industry is shifting, that it's no longer enough to simply report on the issues of the day, but present and interpret them in a meaningful way. Of course, it probably helps that the projects created by the group are actually quite cool too.

27012012_RRJ_NYT 
The latest, according to a Nieman Lab post on the subject:

“Deep Dive uses the Times’ massive cache of metadata from stories to go, as the name suggests, deeper into a news event by pulling together related articles. So instead of performing a search yourself within the Times and weeding out off-topic results, Deep Dive would provides readers a collection of stories relating to a topic, based on whatever person, place, event or topic of their choosing.”

The goal is to make it easier for readers to understand the context of a given story or view its development over time. A reader starts with a root article, and related stories and content are displayed in sidebar to the left. In some ways, the current iteration feels reminiscent of an RSS reader, except the content is algorithmically picked and ordered by Deep Dive instead. The idea is that “individual articles are really pieces of a larger story, told in pieces over time and across bylines and datelines.” If you're interested, you can try an early beta version of Deep Dive on the Times' experimental projects site now (although it is currently only possible to explore the demo's root article).

Deep Dive is just the latest in a trend among news organizations to make their reportage more accessible to readers. The Times, for example, is using Deep Dive to leverage its sizable archive of back issue content to provide more complete reportage on an issue. ProPublica, meanwhile, made the novel decision to include an “Explore Sources” mode on some of its stories, which annotates the article with interviews, quotes and source material in an effort to demonstrate how large features are constructed. If anything, such efforts are a good step forward at evolving the presentation and consumption of news beyond the traditional block of text and links.

 

Posted on January 27, 2012
By Chelsey Burnside

Tony Burman gestures to the projector screen to his left, and it floods with riot footage from the Egyptian revolt against former president Hosni Mubarak. Al Jazeera’s cameras captured scenes that make Toronto’s G20 look like a playground squabble: mobs trying to topple a police van into the Nile, civilians shot while carrying bodies out of the mob’s warpath, ecstatic crowds in Tahrir Square when Mubarak announced his resignation.

Burman, the former head of Al Jazeera English and, before that, CBC News, presented a lecture titled “News Over Noise in the Age of Al Jazeera” as a part of Ryerson’s International Issues discussion series on January 18. Speaking without a microphone, Burman captivated the hall full of students and faculty, recounting memories of working as a broadcast journalist in the Middle East. He contrasted highlights such as witnessing Nelson Mandela being freed from prison with low points, like the ramifications of the American government turning on Al Jazeera during the war on Iraq. Burman stands firmly opposed to the superficial coverage of Eastern affairs generated by most of the American media outlets, and says his goal is to help his audience understand the whole story, not just a slice. 

BurmanNewsoverNoise 
Since its 2006 launch, the English branch of the news network has given a voice to the voiceless in a part of the world where the media are predominantly comprised of what Burman calls “state-run propaganda machines.” The Al Jazeera effect has confirmed Burman’s belief that fair and fearless media have the power to trigger global change.

He closes the lecture with the story of Birhan Woldu, the starving three-year-old his CBC documentary crew stumbled upon in 1984. They were told Birhan only had about 15 minutes to live, and her father had started to dig her a grave. But as he was about to lay her in the dirt, Birhan’s father noticed a faint pulse. She made a miraculous recovery, and her story made her the face of the Ethiopian famine. CBC’s documentary struck its audience in a way that much of the famine coverage had failed to do, sparking a flurry of aid and donations from around the world. What I took away from the lecture is that there is enormous power in good journalism, and scraping the surface of an issue simply isn’t enough to ignite the public and incite change.

“Birhan remembers that, and so should we,” says Burman.

Lead image via Matthew Wright

 

Posted on January 25, 2012
By Stephanie Fereiro

"That Was Then, This Is Now" explores the beginnings of some of Canada's favourite writers and journalists

“In Grade 12, my English teacher came to me and said The Sault Star was putting together something called the Teen Page,” says the Toronto Star’s award-winning investigative reporter Dale Brazao, remembering his first experience in journalism. Every Friday, the paper would dedicate one page to the four high schools in Sault Ste. Marie. Brazao’s teacher told him he had “the gift of storytelling” and urged him to apply. “So I volunteered, and I became the teen writer for [my school] in The Sault Star every Friday,” he recalls.

24012012_RRJ_Dale 
The paper’s teen writers would often report on a school dance or sporting event, but Brazao had other ideas: his first story was about a local all-girls high school that was expelling students for smoking on school property. “I teamed up with a photographer from The Sault Star and we went down the laneway behind the school and took a picture,” he remembers, “and I interviewed all these girls in Catholic school uniforms, lined up against the fence, puffing away and passing the butt down the line.” While everyone else was reporting on Sadie Hawkins dances and broken pipes in their school cafeterias, Dale was writing about girls who were facing expulsion for smoking on their lunch breaks. “When [the story] came out that weekend with the headline and the byline that said, ‘Dale Brazao, Teen Writer,’ it felt good.... So I did that for the rest of the year.”

Before The Sault Star’s Teen Page, Brazao had never written anything beside English papers. When he asked his guidance counselor what journalism was all about, he was told he should apply to Carleton University. His acceptance letter came soon after.

At the end of his fourth year at Carleton, the Toronto Star came looking for fresh recruits for its summer program. “I started [at the Star] on May 10, 1976, and I’ve been here ever since,” says Brazao. “If it weren’t for that little tryout as a teen writer at The Sault Star, I don’t know where I would have gone.”

Posted on January 24, 2012
By Nathaniel Wisnicki

This hasn't been the most exemplary week for our craft. It's a week in which popular Independent columnist Johann Hari officially left his job because of plagiarism; in which disgraced journalist (and storyteller) Stephen Glass may be licensed to practise law; in which Rush Limbaugh proposed an investigation into the personal life of the ABC News journalist who had the gall to interview Newt Gingrich's ex-wife.

Actually, let's just deal with that last one for now. Some of you might have seen last Thursday's GOP debate, wherein moderator and CNN anchor John King opened with a question to Gingrich about Brian Ross's interview with the former speaker's ex-wife, Marianne Ginther, who said that Newt had asked for an open marriage. To which Gingrich responded: "I think the destructive, vicious, negative nature of much of the news media makes it harder to govern this country, harder to attract decent people to run for public office, and I am appalled that you would begin a presidential debate on a topic like that."

23012012_RRJ_Gingrich 

In any case, Ross's interview led Rush Limbaugh to question why a journalist's own personal life should be off-limits, asking, "Are journalists faithful?" His point was that journalists are rarely subjected to the kind of probing their subjects are (obviously). But what Rush the Uniter was getting at, in his inimitable way, was the same age-old issue of the liberalized media. A Gallup poll last fall found that 47 percent of Americans perceive a distinctly liberal bias in the mass media, whereas only 13 percent perceive a conservative one. No surprise there. The issue of media bias—and more precisely, a left-leaning media bias—has been going around (and around, and around...) for decades. It's a topic that isn't covered in journalism schools as much as it probably should be.

It's not just the bias, though: it's that we're so blatant about it. Nobody expects a journalist to be completely neutral, and anyone who says she is is full of shit. The interview with Ginther was indeed scandalous, and no hard-hitting reporter (or moderator) would avoid the question. But how 'bout some tact? It's one thing to ask a scandalous question; it's quite another to start a supposedly professional debate with the most gossipy issue at hand. It makes all journalists look bad, because the viewer witnesses directly where Gingrich's response is coming from. ("Goddamn liberals! They're at it again!") Journalists aren't doing themselves any favours with this kind of publicity; there's a pettiness to the approach that has become more common over the last decade. You can see it in Toronto: more columnists would rather poke fun at Rob Ford's weight or his cuss words than do the hard work of deducing whatever serious policy faults he might have.

Point the finger where you will. (I blame leftover Gen-X resentment.) And expect to hear more talk than ever in 2012 about an out-of-touch media. Sure, it might get irritating for us journalists. But we can't say it won't be exciting, and it's been too long since our chosen field has been forced to confront itself with this level of bile-fuelled scrutiny. Bring it on. It's been a bad week, but it'll be a good year.

Lead image via The Associated Press/The Washington Times.

Posted on January 24, 2012
By Alexandra Theodorakidis

An article posted on The Guardian’s women’s blog recently highlighted an interesting British magazine trend. According to writer Anita Chaudhuri, more U.K. women's magazines are featuring women of colour on their covers, including InStyle (U.K.) and Psychologies. Chaudhuri wonders if this means magazines are becoming more diverse.

20012012_RRJ_ethnicmagazines 

While there has certainly been a shift in recent years, there is still a predominantly Caucasian trend.

While it's admirable that British magazines have been putting an ethnically diverse group of women on their covers over the last few months, it would be even better if this trend became the norm—not only in the U.K., but everywhere else. Rihanna graced the cover of American Vogue in April 2011, every cover since has featured a white woman.

The old excuses are wearing thin, after all. In the United States, the issues with the best sales featured white women (and Justin Bieber). But so did the covers that performed the worst. So newsstand sales aren't a strong indicator that ethnic covers would fare poorly. Canada, despite its boasts of diversity and multiculturalism, doesn’t feature much colour on its magazines either. In a society that is supposed to be so culturally inclusive, our media are not exactly doing the best job. So maybe what’s been happening in the U.K. recently is the beginning of something significant. Maybe in a few years, everyone can stop talking about what colour the person on her magazine is and go back to talking about how skinny they are instead.

Posted on January 20, 2012
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