"Sex does not a relationship make," Jann Arden
advises. "Dating is a tool used to weed out the
wackos."
The question "So Confused" had asked
Arden was whether she ought to stop looking around, now that she
and her date had slept together. In the December 2005 issue of
Elle Canada, the advice columnist finished
her answer encouraging "So Confused" not to be so eager to leave
the dating scene:
"Keep doing it until you meet
the person who absolutely makes your head spin like a drunken
nun."
The Canadian singer/songwriter is just
one in a long list of celebrities adding journalism to their
multi-faceted resumés. The Juno Award?winning Arden
began writing her advice column for Elle
Canada last May. She's the third in the magazine's run
of celebrity advice columnists since January 2002. Mary Walsh,
formerly of This Hour Has 22 Minutes and
currently of Hatching, Matching and
Dispatching, was the first, followed by Pamela
Anderson, who needs no
introduction.
Elle Canada
editor Rita Silvan and managing editor Noreen Flanagan both say
the advice is real. Flanagan sends out the questions and the
columnists take it from there. Anderson even faxed columns in her
own handwriting. "Everyone has always handed in their copy on
time ... well, except for Mary," laughs Silvan. "Oh, and Pam
every once in a while, but she wasn't bad." Flanagan, who adds,
"Jann: full marks," did call Arden shortly after she began
writing to see if she was aware that her responses could sound
judgmental. The singer modified her answers, but Silvan still
thinks Arden's advice is funny. "It's a little tough, but also
compassionate."
Celebrity columnists aren't
writers, so why do they get to jump over hardworking journalists
to get gigs? Dr. Kay Hays, a Toronto psychologist who specializes
in performance psychology, likens it to the halo effect. "If you
think or feel about someone in one way," she says, "it can spread
to thought or feeling in another aspect of their lives." For
example, if you're watching a television show in which you
identify with and admire a character, you might decide she'd be
knowledgeable about your love life too.
The
celebrity columnist phenomenon is also big in the United States.
To name a few examples, Anderson wrote another column for
Jane magazine, musician John Mayer wrote an
article for Esquire in July 2004 and author
Stephen King is a pop-culture writer for Entertainment
Weekly. Moreover, controversial filmmaker Michael
Moore covered the 2004 Republican Convention for four days in
USA Today and the Miami
Herald's "Advice Diva" Tara Solomon features guests
regularly, like actor Amanda Bynes and singer Kelly
Osborne.
Here in Canada,
enRoute's September 2005 issue published
articles in which Michael Bublé interviewed Nelly
Furtado, Carl Newman of the New Pornographers chatted up Ron
Sexsmith and Arden talked to Leslie Feist. Even Wayne Gretzky
contributes hockey expertise to the National
Post.
The trend isn't new, but it's
growing. Debbie Travis, made famous by her television show
Debbie Travis' Painted House, has a
syndicated advice column about - what else - home decorating.
The Hamilton Spectator has run it for at
least five years, and style editor Michelle Steeves says the
appeal is based on the décor expert's profile.
Travis's syndicated column appears in 18 newspapers in this
country and - an anomaly for a Canadian columnist - 53 in the
U.S.
While many celebrity columnists offer
advice, some write strictly from personal experience. David
Veitch, the Calgary Sun sports editor,
handled former professional wrestler Bret "Hitman" Hart's column
in the final three years of its seven-year run, until 2004.
According to Veitch, the Sun approached Hart
with the idea of writing a column. To their surprise, he said
yes. In-house surveys revealed that Hart's column - based on his
wrestling memories - was popular. However, Veitch says the number
of people surveyed was too low to reach any definite conclusion.
Hart's grammar and spelling were fine and his copy came in fairly
clean, but he had a tendency to spell certain names wrong.
Sometimes the column was "squashed" over potentially libelous
comments regarding Hart's fallout with the then-named World
Wrestling Federation. "There are some things you can't write,"
Veitch says, "even in a column." Many journalists, not just
celebrity columnists, watch their columns get killed for the same
reason.
Canadian professional golfer Mike Weir
is another celebrity whose content is fluffy, and in his case the
stereotype of the ghost-written celebrity columnist is the
reality. Michael Grange, a sports writer for The Globe
and Mail, writes five Weir columns a year as part of a
sponsorship deal. The columns offer the golfer's personalized
previews of the four "majors" - the Masters, the U.S. Open, the
British Open and the PGA Championship - and the Bell Canadian
Open. Grange chats with Weir about what's going on inside the
golfer's head going into the big events, and writes it up. With
this pre-tournament access, the Globe gets a
leg up on competition - other outlets are still busy arriving at
tournaments on Mondays when the Globe runs
Weir's thoughts. Sports editor Steve McAllister isn't sure if the
column, which has been running at least five years, improves
readership, but he says the paper always runs a "skybox" at the
top of Page One to throw readers to the
column.
A discussion of a celebrity columns
isn't complete without Sir Richard Branson's stint "editing" the
August 2005 issue of National Post Business
(now Financial Post Business). Editor Brian
Banks says the magazine wanted a guest editor to spice up content
in the late summer issue, one usually weak in advertising. The
flamboyant mogul's name came up because he had recently launched
Virgin Mobile in Canada. For the feature he was writing, Banks
was allowed to hang out with Branson for two days and be "a fly
on the wall." The editor used the opportunity to toss around the
issue's theme - adventure lifestyle - with Branson and get his
input. In addition to being the subject of the cover story, he
wrote two small pieces and his "Branson's Picks" travel
destinations were placed near the end of the book. He also
suggested Banks assign a piece about world record adventurer
Steve Fossett. Banks says the stories with Branson's byline were
based on interviews, and then traded over email, but overall they
weren't heavily rewritten. The billionaire received no financial
compensation.
As it turns out, Branson was an
exception. As if the free publicity weren't enough, celebrities
get paid for their work. Veitch said Hart received money, but
wouldn't reveal exactly how much. Weir's sponsorship deal
obviously involved financial compensation. And Walsh, Anderson
and Arden all received the standard magazine freelance fee for
their columns. Imagine, Silvan says, "Pam, working for a dollar a
word - a Canadian dollar!" One of her columnists hasn't invoiced
the magazine, but Silvan won't say who. "You know they're doing
it because they love to do it," she says. "Each one has been
honoured and flattered to be asked to reach out to Canadian
readers."
While the celebrity draw is obvious
and becoming more prevalent, publications don't take the work too
seriously. McAllister says, "It's not going to be hard-hitting
journalism," in reference to Weir, "but it's good for insight."
The articles steer away from the nuts and bolts of golf, he says,
so even people who aren't golf fans can enjoy the
column.
Flanagan says of her Elle
Canada column, "It was never meant to be, 'Oh, this is
exactly what I have to do with my life.' It was never meant to
be, 'This is a serious, serious bit of
journalism.'"
So journalists, rest easy.
Newspapers and magazines might sell more with star-studded
articles, but editors know you can't replace the real
thing.