There's that saying...
I'll admit it -- I'm not a "words" guy. I can write (I'm told by editors and teachers). And I read a lot (I found out in Grade 1). But I couldn't be bothered to pick up an Atlantic for a 25,000 word Langewiesche masterpiece. The New Yorker's three column grids of solid text scare me. My current favourite magazine is the New York Times when they talk about Toronto. But as our esteemed editor Marco would tell you, he'd read the article, and I'd say, "Nice fucking drop cap."
I've read Joan Didion and I liked it. I understood her, the essence of the time and place she commits to paper in The White Album. I've read the articles, read the interviews, had the drug-induced debates (I think).
But that picture up top, I got it. That is everything Joan Didion has ever wanted to say in one expression, one gasp, two weary eyes.
Joan Didion is also the winning picture in the magazine portrait category of the annual Pictures of the Year International. Keep checking back as they're still in the middle of a three-part selection process.
Dig around the site. Here's hurricane Katrina. (Second place, magazine spot news)
Here's friendly fire in Baghdad. (First place, newspaper spot news)

Youth gang violence. (Second place, newspaper spot news)

It disappoints me that my small, but daily, rounds of the blogosphere don't turn up more talk about the art we run alongside our thousands of published words. If ever, it's only when there's been a photoshop snafu, or a picture of questionable taste (obviously link here).
When a monumental event happens, it's not memorialized by a columnist or writer. It's that photo of the plane crashing into the side of the twin towers. It's the Challenger imploding on a sky blue backdrop. It's Tiananmen Square, 1989 -- I don't even have to finish the sentence.
Do all the reading you want, all the newspapers, magazines, lefty blogs -- there's still something to be said for the picture. Which, hopefully, speaks for itself.







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